SHEEPY (UK)
Pop Punk
Sheepy from Liverpool play pop punk with mega catchy songs, tight hooks and lovely harmonies. Since 2012 the band toured across the UK, Ireland and Europe.
Songwriter Luke Jones recorded 12 self-produced albums before teaming up with Blang Records. "Predator EP" was the first release, followed by the singles "Glum" and the 7" "Another Day". These songs received national radio airplay on the likes of BBC Radio Two, 6 Music, XFM, plus some national TV play on Soccer AM.
The debut self-titled album was released in January 2014, featuring the well acclaimed singles "These Clothes" and "Don't Know Much". "Wild" EP was released in June 2015, and the single "Wild" was played on XFM and BBC Introducing.
Reviews
“...effortlessly melodic and insatiably moreish… lo-fi, powerpop and post-punk with a massive pop heart beating at the centre.”
- Sounds XP
“...a voice tailored by superior beings… brilliant… a pop classic.”
- Unpeeled
“Undertones aura with merest whiff of Nirvana, crumbs of Costello and a few milligrams of Monkees...”
- Mudkiss
"Sheepy, the Liverpool based 3pc who demonstrate that pop music does not have to be the bland, genre void pap that clogs up the charts. With ‘Alarm Bells’ they have abandoned the blueprint, and crafted an album of dark-pop with a luxuriously unsettling edge... Sheepy have a created an energetic short, sharp joyously off kilter belter that should be worthy of your attention."
- Louder than War
"The third single ‘Another Day’ was played thirteen times on BBC 6music, including seven spins from Steve Lamacq alone... having listened to this a good few times trying to find reference points, similarities and the like I have come up with a hotchpotch of names, some dating back to the 60’s, others more recent – I noted down The Kinks, Buzzcocks, The Undertones, The La’s/Brit/Indie pop, perhaps TFC, hints of psychedelia and even The Ramones… The entire album is a kaleidoscopic mix of pops finest reference points, blended with humour and self-depravation; Sheepy are clearly enjoying themselves... Sheepy have crafted a melodic, hook laden classic – a slice of real independence, so adverse and unconcerned as to what is current, to what is gracing the pages of the NME."
- Louder than War
"Earworm pop hooks with a vaguely sinister and cynical lyrical edge, Sheepy are reminiscent of classic guitar groups such as The Replacements, Super Furry Animals and Pixies. Once a solo project now bedecked by a fully-functioning three-piece line up, Sheepy prove themselves impossible to ignore and bounce along to."
- Getintothis
Upcoming shows
No shows booked at the moment.
Band
- Luke Jones (Guitar)
- Ollie Fontaine (Drums)
- Katy McGrath (Bass)
- Villy Raze (Guitar)
Discography
- 2019 – new album!
- 2017 – Alarm Bells, Blang Records
- 2015 – Wild EP, Blang Records
- 2013 – sheepy, s/t, Blang Records
Also check out:
ALIEN FIGHT CLUB (DE)
Punk Rock
Gut ausbalanciert zwischen Punkrock, Hardcore und ihrer ganz speziellen Mischung von Erfahrungen, schrauben sich die Melodien von Alien Fight Club tief in die Gehörgänge.
Sängerin Anneke, Gitarrist Kolja und Schlagzeuger Stefan treiben schon lange ihr Unwesen und spielen/ten unter anderem in Bands wie Guts Pie Earshot, 1982, Spark Unit, Genepool und Beatrevolver. Alien Fight Club vereint diese unterschiedlichen Einflüsse mit der Leidenschaft für einen treibenden, krachigen und doch tanzbaren Sound.
Die Texte sind wütend, empathisch und manchmal sehr persönlich. Der erhobene Mittelfinger gegen alle rassistischen Ignoranten, die unsere Gesellschaft vergiften, wechselt sich mit Geschichten über Höhen und Tiefen eines Punkrock-Lebens ab. Live ist die Band energetisch und schweißtreibend und schont weder sich noch das Publikum.
Reviews
"Ausgefeilter Hardcore-Punk, der an LIFE ... BUT HOW TO LIVE IT? erinnert, mit einer hyperaktiven Sängerin und einer gelungenen Cover-Auswahl. Es ist Jahrzehnte her, dass ich zu SPIZZ ENERGY gepogt habe – und heute Abend habe ich die Gelegenheit dazu. Der Gig macht Appetit auf mehr und so freue ich mich auf die angekündigte LP und weitere Konzerte..."
- Ox Fanzine, Live Review
"Alien Fight Club ringen dem aber noch das Quäntchen Eigenständigkeit ab, das bei vielen andern fehlt und klingen dabei erfrischend ungeschliffen. Bitte mehr davon."
- Plastic Bomb
"Kurzweilige Scheibe, die vier Mal klassischen Punkrock mit emotionsgeladenem weiblichen Gesang abliefert. Kann man sich auf jeden Fall ganz gut reinziehen!"
- UglyPunk Zine
DEAD RAZE (UK)
Blues / Punk Rock
“A mixture of MC5 and Leadbelly, the Stooges meet T-Bone Walker. It’s primal, it’s fast, it’s vicious. A must see” – The Last Stop Sounds
Dead Raze is a new two-piece punk/blues outfit based in Liverpool. Fronted by Irish rambler Matthew Cawe and features Ollie Fontaine on drums. The band takes influence from swamp blues and old school punk rock, playing slide guitar through a mudslide of distortion. /p>
Dead Raze have already recorded an album in Iceland, gigged in the UK, Czech Republic and Germany. Expect foot stomping, pulse raising, high energy rock'n'roll.
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Reviews
“Villy Raze is a must see and especially as he’s unveiling his newest project the aptly named Dead Raze. Its still embryonic but the songs and the style are there and Villy feels confident enough to take them to the stage at the Black Cat Bar and Bottle Shop. What we get is an amped and psyched up garage blues. A mixture of MC5 and Leadbelly, the Stooges meets T-Bone Walker. Its primal, it’s fast, it’s vicious and the duo make short shrift of their set and keep the attention of the audience throughout.”
- Last Stop Sounds
P. BENTHAM & THE DINNER LADIES (UK)
Garage / Kitchen Core / Punk Rock
Pete Bentham & The Dinner Ladies are a four piece from Liverpool. Pete on Guitar, Paella Fitzgerald on Bass, Sonny Rollingpin on Saxophone and Tony Calzone on Drums. Plus The Dinnerettes. They are at the vanguard of current Liverpool music scene
The band was formed in 2006. Pete wanted to form a band that was a pure rock & roll band with modern lyrics about real life. They have clever, witty songs about working class life that feature Night Club Bouncers, Lorry Drivers, Cats & Dogs, always telling the truth and they speak out against things they oppose like consumerism and racism.
The music is raw punk rock and roll reminiscent of the The Cramps, The Fall and the Velvet Underground.
They have so far released three albums, toured the UK and Europe and have played many festivals including Rebellion Festival, the largest punk festival in the world alongside bands such as The Damned, The Beat and the New York Dolls.
A band who actually sing about things they know and believe in and always with sense of humour. This is Kitchencore!
Reviews
"It’s an utterly joyous spectacle. The songs are defiant yet fun odes to rebellion, with the likes of ‘Do the Don’t providing a suitably fun two-fingered salute to conformity. There’s a tune about being a ‘Hip Potater’ and a blistering, Billy Childish-esque tribute to their hero ‘Marcel Duchamp’. The set ends with the two dinner ladies having a mock fight on the floor and in the middle of the audience. If we weren’t already standing I’m pretty sure the band would have got a standing ovation."
- Soundblab magazine
"Check it out. Its easy to see why they are a great band to have at any festival, as they bring with them energy, up beat rock songs to have any crowd dancing about."
- little indie night
"Classic Liverpool Rock & Roll. Songs about things you've observed and experienced. Fun and upbeat."
- Sound City
"Third album from Pete & The Dinner Ladies, the Liverpool based ‘kitchencore’ outfit who with this offering have produced their most accomplished release to date... somehow The Dinner Ladies have not just pulled this off, this is a triumph – played with due respect but also with that ‘fuck you’ punk attitude that certainly Syd Barrett expressed; I get the feeling Barrett would chuckle if he had heard The Dinner Ladies, instantly responding to their free-spirit DIY take on rock ‘n’ roll."
- Louder Than War Magazine
"It’s a shame John Peel is not with us any more as Pete & The Dinner Ladies would certainly have been taken to the great mans heart and been regular favourites of the twilight airwaves. This album has pretty much been on constant repeat for the last month and protest has never sounded so great. This should feature highly in the end of year best of albums that we so love to compile and read about."
- Never Loved The Shovel Blog
"Best performance of the year thus far due to nothing more than the aforementioned points and the downright commitment to the cause. A fitting exclamation mark to a fine day that provoked much thought and much pleasure."
- Fungalpunk fanzine
"We were starting to flag at this stage but Pete Bentham and the Dinner Ladies rev it up with an entertaining set back at the Art Academy and prove punks not dead, it just wears a shiny 80's suit and is surrounded by Dinner ladies, it also proves that you can write a decent protest song without being a po-faced navel gazer, or tortured poet with a shit beard. “Do The Don’t” “Part Time Punk” and ” Hip Potater” are all crowd pleasers, but if you listen and pay attention you’ll find that behind the “fun” façade Mr Bentham’s got plenty to say and raises some very salient points."
- The VPME, Live Review
"To have spent many a gig in the company of Pete Bentham and the Dinner Ladies is not going to prepare you for just how good they sound, just how wickedly delicious and note-worthy they are tasty a band when allowed the freedom to wax lyrically in an anarchistic scrumptious style... The idea of David Bowie performing it with David Gilmour is one to feel goose bumps appear, to hear Pete Bentham and The Dinner Ladies play it is to almost understand the gender blurring of fun, slight majestic sleaze and sex appeal that runs through each line. You can only imagine the curly haired music genius who shone too brightly would have raised a smile towards the band, for it is a piece of art."
- Liverpool Sound and Vision
"Their infectious fusion of ska, folk and, er, circus music (that’s the only way to describe it, honest) seems a good enough reason to work off Pete’s (legendary) free Veggie Scouse via the medium of boogie... Pete begins by inviting everyone to pray for more good weather 'so we can riot in shorts and t-shirts'. Comedy is as much a part of Pete's act as the music; he enthusiastically explains the meaning behind songs, such as 'Nature', which was inspired by a conversation with a self-righteous hippy...
By the second encore, it's turned into a right old organic cider-fuelled knees-up; everyone obeys Pete's command to kneel on the floor before leaping back up for one chorus. Despite a lone stage invader almost spoiling proceedings, the show is a triumph."
- Purple Revolver, Live Review
"When all of the band kick in, the sound is tremendous; Pete thrashing away on his guitar trying to wear out the scratch plate (and his elbow); Gabrielle bashing the hell out of the drums. Marigoldy thunderously playing the bassiest bass possible and John 'The Caretaker' Lewis going cross-eyed trying to inflate either the sax or clarinet. The crowd loved them... Those diehards resisting the kitchen assault were all to be reigned in with the totally interactive 'Hip Potater'. Here, Pete had the crowd in the palm of his hand, ordering them to shout back the words 'Hip Potater, Hip Potater' at his command. A truly marvellous spectacle… You must give this band a listen, preferably live."
- Roomthirteen, Live review
"Wow, ich bin echt begeistert und habe mir das Album zum Besprechen sicher 10x angehört."
- Kink Records
"Bentham und Co. schaffen es, sich von allen Genrekonventionen zu lösen und Pubrock mit der Tanzmusik von Holly Golightly zu verbinden, Chuck Berry und Punkrock zu kombinieren, Saxophon und Klarinette einzubinden, eine entschärfte Version von THE FALL in Richtung KINGS OF NUTHIN’ zu lenken, mit einem kleinen Schlenker Richtung TOY DOLLS, und dabei dann doch nie wie eine der hier erwähnten Bands/Musiker zu klingen..."
- Ox fanzine
"Ihre Scheibe 'Hip Potater' läuft bei mir schon den ganzen Sommer lang... Trotz der frühen Uhrzeit ist sehr viel Publikum anwesend. Live sind sie eine Spur härter und schneller. Ein richtig guter Auftritt."
- Useless fanzine, Live Review