1982 (DE)Punkrock Zeitmaschine
1982 haben eine Mission: Sie retten den Deutschpunk! Sie spielen die Hits der ersten deutschen Punkrockgeneration unzensiert und musikalisch authentischer als die Polizei erlaubt: Slime, Canal Terror, Toxoplasma, Chaos Z, Razzia und alles andere - und zwar so wie damals.
Dabei versetzen sie die Besucher in die Zeit zurück, als Punk in der BRD noch gefährlich, aufregend und unberechenbar war. 1982 sind eine Zeitmaschine, die Pogo-Orgien auslöst und immer funktioniert.
Das haben sie bereits auf unzähligen Konzerten in ganz Deutschland und sogar Frankreich bewiesen, unter anderem beim Punk im Pott 2010, beim Force Attack 2003, Punx Picnic 2001 oder als Headliner beim Au-Fest 2008 und vielen anderen Festivals.
1982 besteht aus drei Generationen Punx, die ihre gemeinsamen Roots abfeiern. Drummer Dominik S. war Gitarrist bei Canal Terror. Klassiker wie "Staatsfeind", "Zu Spät", "Multis" etc. stammen aus seiner Feder.
Sonstige Bands, in denen die 1982er aktiv sind oder waren, sind Molotow Soda, Wild Gift, The Puke, Estrella Negra, The Gee Strings, die Back Chats, F.F.F. etc.
Alter Punk mit jugendlicher Hingabe! 1982 ist heute und besser!
Reviews
"Solltest du die Möglichkeit haben, dir die 5 mal live anzugucken, solltest du diese Gelegenheit auf keinen Fall verpassen, da ihre Coverversionen den Originalen sehr, sehr nahe kommen und jeder Gig einer famosen Party gleicht.
- Human Parasit Fanzine, Live review
"1982 waren dann die perfekte Wahl für den Abend! Eine fitte Coverband, die sich frühen deutschen Punkklassikern widmete. Die Stücke wurden völlig authentisch gezockt, wild, frisch, voller Wut. Geiler auf jeden Fall als die Schunkelversionen, die z.B. RUBBERSLIME aus den alten SLIME-Songs gemacht haben! Es wurde ein Klassiker nach dem anderen rausgerotzt. Vielen Leuten stand bei jedem Wiedererkennen die Freude ins Gesicht geschrieben und spätestens nach drei Stücken bebte der Boden… In den Pausen wurden 1982 ständig Bandnamen entgegen gebrüllt - VORKRIEGSJUGEND! SCHLEIM KEIM! TOXOPLASMA! Und das geilste war, dass fast alle "Wünsche" erfüllt wurden! Besonders hab ich mich über NEUROTIC ARSEHOLES gefreut, geil war auch "Wir sind die Ratten", "Computerstaat" oder die ganzen SLIME-Songs ("A.C.A.B.", "Etikette tötet", "Yankees raus!", "Alptraum", "Zu kalt", "Gerechtigkeit" und als Abschluss na logen "Deutschland"). Zeitlos geil, mit Feuereifer von der Band runtergehämmert - und eben einfach alles Stücke, mit denen nun wirklich fast jede/r vertraut war. Heiser, durchgeschwitzt und glücklich war ich danach!"
- Dremufuestias.de, Live review
"1982 waren richtig gut und sie coverten einen Deutschpunkklassiker nach dem anderen. Sehr gefreut hatten wir uns auf Pogo in der Straßenbahn. Richtig gute Band, die kamen total gut an."
- Die Punkrockmafia, Live review
Upcoming shows
No shows booked at the moment.
Band
- Rene: Vocals
- Dragan: Bass
- Andi / Dominik: Gitarre
- Krüger: Gitarre
- Dominik / Stepi: Schlagzeug
Also check out:
THE GHOST WOLVES (US)
Blues / Garage / Punk Rock
THE CRAMPS FROM THE CRYPT MEET UP WITH THE RAMONES AND TAKE ALL THE COCAINE HASIL ADKINS LEFT ON THE FLOOR
Carley Wolf grew up with a pack of large white wolf-hybrid dogs on her family's Texas hill country ranch. When she met Jonny Wolf in 2011 and they started making music together, they named their band The Ghost Wolves as a way of memorializing the beloved animals from her family.
Blurring the lines between blues, rock n' roll, noise, punk and early American music, the duo has earned an international reputation as a must-see live act, with nearly 1000 shows between them in 23+ countries including most of western Europe, The USA, Scandinavia, the U.K., and Japan.
The Ghost Wolves have opened lengthy tours for Alejandro Escovedo, The 69 Eyes, All Them Witches, and Drivin' N' Cryin. Their music has been featured in film and TV by Netflix, HBO, Showtime and other major networks, and they currently have a line of apparel in 40+ stores throughout Asia via a collaboration with fashion label Hysteric Glamour.
Their second album “Texas Platinum” was released in 2017 in the US and in Germany by Berlin based label Hound Gawd! Records.
The Ghost Wolves are currently recording their third record with producer Rob Fraboni (Bob Dylan, The Band, The Rolling Stones).
Reviews
"They play stomping blues-garage-punk possessed by who knows what kind of demon... their music has just the right overdose of voodoo punk..."
-Rolling Stone Italia
"The pair tour relentlessly, showing a joy in the turn-it-up that evokes the visceral virtues of rock at its most raw and elemental."
- Lenny Kaye for emusic.com
"Bodacious garage rock with a sneer"
- MountainX, Asheville NC
"A primal musical jewel in wolf's clothing..."
- BP Fallon's Wang Dang Doodle
"Primal, grungy, lo-fi, disruptive, exhilarating..."
- Blurt! Online
"Vertreter dieser reinen - Pardon - schmutzigen Lehre sind etwa: Hazil Atkins, die Cramps, Jon Spencer Blues Explosion, Flat Duo Jets und wieder Elvis, der Glanz und Elend im Rock 'n' Roll verkörperte wie sonst niemand. Und da wären noch die Ghost Wolves aus Austin, Texas. Carley Wolf und Jonathan Konya sind das netteste Paar, das man sich vorstellen kann - privat. Anders die Lyrics und der Sound des Duos. Da werden keine Gefangenen genommen, da fliegen die Fetzen, da splittern die Knochen."
- Deutschlandradio Kultur
"...for the real experience, catch them on stage where their intensity and magnetism are amplified to such levels that you might just put on a mask and let Carley call you 'Grandma'."
- Deli Magazine
"...they opened the evening with a roar both from the stage and, by set’s end, from the audience, too. They played so well with such obvious delight that it was impossible not to get on board."
- Nippertown, Albany, NY
"This duo — female singer/guitarist and male drummer — provides raw, energetic rock that sounds more like it came from the Voodoo-soaked streets of New Orleans or back alleys of New York City than the farmlands of Texas. Punk sensibility, blues style, crashing drums, scattershot harmonies and moments of folk simplicity define the band’s six-song EP, In Ya Neck!."
- Jeff Hahne, Creative Loafing
"When the Austin band finally let us off the hook and left the stage, the only thing I could think of was the fact that I wanted more. I was ready to take the tunes well into Friday morning, not well short of midnight."
- Loopster Live
"They are wild, they are screechy, they are banging and down right feral, they are The Ghost Wolves."
- Whenthehornblows.com, Live review, London 2017
"C’est le duo de The Ghost Wolves qui avait la périlleuse mission d’ouvrir le bal. Juste un batteur et une chanteuse bien énervée, une guitare (parfois même une seule corde !) mais surtout une énergie assez dingue, reconnaissons-le. Notre pauvre Nicolas en a eu du mal à croquer sereinement…"
- Croque and Roll, live review Paris 2017
"The thrilling guitar fuzz and shrill teamed with adrenaline pumping drums gets the crowd warmed up screaming for more in no time. ”Do You Like Cry Babies?” Carley shouts at the crowd “nobody likes crybabies” is the fiesty introduction to the neck snapping ‘Crybabies Go Home’. The crowd roar the “whoohoohoo” lyrics back to her as she jumps about the stage. Elaborate guitar poses and all it’s purely captivating. Swagger is a tame word for these guys, they are wild and absolutely mental but it makes for a fascinating live set and the crowd were lapping it up. When you think it couldn’t get better she introduces the one string wonder “because all you need is one god damn string” that’s right a guitar with one string that plays just as mighty and meaty as a six string makes you wonder why anyone plays guitar normally. This duo are cool and feisty and boy do they put on a live show."
- Indiebuddie.com, live review Dublin 2017
"Carley “Carazy” Wolf (guitar & vocals, looking like Calamity Jane as imagined by Rob Zombie) and Jonathan “Little Hammer” Wolf (drums & vocals, total greaser – probably had a BSA parked outside ready for a ton-up run to the Ace Café) battered the hell out of their instruments creating an unholy yet unavoidably foot tapping head-banging blend of rockabilly blues. Imagine if Lux Interior and Poison Ivy had raided the bargain bins for old country blues instead of obscure rockabilly numbers. And had to play them at Download... Wolf, C worked the crowd throughout with the fervour of someone simultaneously selling snake oil, Jebus and the Golden Gate Bridge, bossing the crowd and making her presence felt: a hyperactive blur of helium voiced motion. It’s not often a support gets a full throated singalong but this gal had the crowd singing along to half the set, and to be frank the band went down a storm."
- Bristol 25/7, live review 2017
"The Ghost wolves made a mighty punk-rock noise in a powerful opener...their spunky energy engaged the crowd so well they whipped up a noisy singalong."
- Albany Daily Gazette
"Their live show is a bit of a spectacle, with Wolf, dressed all in white with a matching Warhol-esque wig, jumping around the stage as she plays. Konya is chatty between songs, making jokes and pushing the record. It's not your typical Austin act..."
- Peter Mongillo, The Austin American Statesman
"Their music is influenced by shamans, wolf dogs, and blues legend RL Burnside - that the Ghost Wolves makes it one of the most exciting newcomer band from Austin."
- On3, Germany
"The Ghost Wolves might be a mere duo (Carley plays a vintage hollow body guitar, Jonny thrashes the drums and they both sing) but they play hard enough for a full band. Playing second in a four-band showcase (including the Krektones, Alligator Indian and ER Airplane) at Jack of the Wood last Friday, the Ghost Wolves had the crowd on its feet."
- Mountain Xpress, Asheville, NC
"This new Texas based duo blend gritty backwoods blues with hints of Pyschobilly and folk that are conjuring up garage ghosts from the 60's and demons from the Delta. Known around the city for their energetic live show and infectious on-stage chemistry, The Ghost Wolves have been relentlessly touring their debut album, In Ya Neck!, bringing the raw and rabid rock and roll sound from their digitally unscathed record to dive bars across the plains."
- Band Soup
"The two-piece band Ghost Wolves, one of several acts on the lineup from Austin, offered a twist on the White Stripes formula when drummer Jonny Wolf switched places with guitarist Carley Wolf for a song."
- USA Today
"From the opening, bluegrass twang of ‘Gonna Live’, to the gorgeous live recording of ‘First Love’, it is clear that the duo’s relentless gigging – as well as their strong musical heritage – has produced a collection of tracks that is both exhilarating and infectious."
- Chybucca Sounds U.K
""While they each have their own impressive musical resumes, together they are an otherworldly presence."
- KUT- Austin
SCHÖNE FRAU MIT GELD (DE)
80s / Indie / NDW
Schöne Frau mit Geld ist ein Ideal-Nachspiel mit den Charakteren Charly Humpe (Gesang und Tasten), F.J. Gechter (Gitarre und Gesang), E.U. Braun (Bass und Gesang) und Hansi Soestmeyer (Schlagzeug und Gesang).
Es begab sich in der Zeit zwischen Nato-Doppelbeschluss und Markteinführung von Chicken McNuggets: Der letzte Golf 1 war noch nicht vom Werksband gerollt, als Dieter Thomas Heck in der ZDF-Hitparade im März 1983 die Auflösung der Berliner Kult-Band Ideal bekannt gab. Annette Humpe und ihre drei Bandkollegen konnten zu diesem Zeitpunkt bereits auf drei Studio-Alben und fünf Singles zurückblicken. Als ihr 1980 erschienenes Debüt-Album Ideal 1981 vergoldet wurde, war dies das erste Mal, dass sich ein deutsches Indie-Label eine Goldene Schallplatte an die Wand hängen konnte.
Drei Jahrzehnte später begab sich Schlagzeuger Hansi Soestmeyer auf die Suche nach geeigneten Mitmusikern, um mit einer Ideal Nachspiel-Kapelle den damaligen Nervenkitzel reproduzieren zu können. Im Jahr 2016 stand dann die Besetzung wie im Original, und weil Sängerin Charlotte eben nicht nur singt, sondern auch diese crazy Orgel-Sounds beisteuert, heißt sie bei Schöne Frau mit Geld auch direkt Charly Humpe...
Reviews
"2013 gegründet, schafft es das Quartett aus Osnabrück, Attitüde der Achtziger inklusive der Musik von 'Ideal' sehr gut nachzuzeichnen. Die junge Sängerin und Keyboarderin 'Charly Humpe' wirkt nicht so kühl und abgebrüht wie das Original Annette Humpe, aber bringt in Songs wie 'Eiszeit', 'Wir zerstören unser Glück' und 'Monotonie' die unterschwellige Wut, die zurückgestauten Emotionen, also die echten Gefühle, sehr gut rüber... Nach dem unterhaltsamen Konzert und vor der 80er-Jahre-Disco wirkt allerdings die Erkenntnis schwerer, daß es in der Nachkriegsgeschichte nur in einem ganz kurzen Zeitfenster gelang, mit ungewöhnlichen Sound- und Textinhalten den deutschen Schlagerkonsens aus Klatschmarsch und Dauergrinsen aufzubrechen, bevor dieser originelle und originäre Strang von der Schallplattenindustrie mit den echten Clowns und Klonen von Fräulein Menke bis Hubert Kah selbst torpediert wurde."
- Live review, Neue Westfälische
AUTOGRAMM (CA)
80s / Power Pop / Wave
Autogramm is a synth-driven power-pop trio from Vancouver. Their uptempo, vintage new wave sound grew out of bassist's C.C.Voltage, guitarist's Jiffy Marx and drummer The Silo’s shared love of proto-punk and power pop. Guitarist Marx also plays the keyboard, while bass and drums set the rhythm of the song.
If you're a fan of The Cars, The Go Go's, Gary Numan or Devo, you might like what they're doing.
The three had been connected through the Vancouver music scene, sharing stages, friends and even band members in seminal bands like Black Mountain, Destroyer, Lightning Dust, Blood Meridian, The Spitfires, Black Halos and Hard Drugs.
Within a year of forming, they released their first single, made a trip to California which garnered them interest from two different labels and did a west coast tour with Seattle’s Bread & Butter.
Currently the band is celebrating the release of their first full-length “What R U Waiting 4?” on Nevado Music, with several more road trips including a recent tour with Atlanta’s Gringo Star and a handful of upcoming dates with Vancouver’s Needles//Pins.
Autogramm plan to publish a new record and tour the US, Mexico and Europe in 2019.
Reviews
"Autogramm is not afraid to show their influence and their influence is that exact point where Punk and New Wave merged in 1978. Taking the minimalist hooks from the Cars and the slightly sinister buzz of Tubeway Army, Autogramm crank out a catchy number that not only would fit right at home on an I love the ‘80s soundtrack, but would also put about half of the songs on that tape to shame."
- John Gentile, Punknews, NYC
"The members of Autogramm never abandoned the acts they loved as kids, even during their punk-rock years, when a lot of everything that’s not fast, loud, and snotty gets thrown overboard. Binding the three musicians together was a sincere interest in paying tribute to a fabled late-’70s/early-’80s period in music that they love. The era-specific spectres of lipstick-smeared new wave, grey-hued postpunk, and freak-flag synth-pop hang joyfully over 'What R U Waiting 4?'."
- Mike Usinger, Georgia Straight, Vancouver
"The band’s first full-length 'What R U Waiting 4?' is a polished power-pop record, brimming with sunny, synthy rock songs sporting a smooth 80s sensibility that draws from the Cars and Gary Numan."
- Adam White, Some Party, Niagara Falls
"If you are looking for a kickass new band to pay some attention to, look no further than Autogramm. The band possesses a retro vibe with a decidedly international flavor. From perfectly-crafted radio friendly power-punk songs to indie and new-wave, with many other stops in between, the new album is sure to make instant fans out of anyone that listens."
- Northwest Music Scene, Tacoma
"The two songs on this here 7” are synth heavy, mid-tempo New Wave-y tunes that remind me of something that could have been on the Cars Panorama LP. If you miss the days when bands like Split Enz and Ultravox roamed the earth in top form, then Autogramm have come to answer you desperate pleas."
- Audio Ammunition, Los Angeles
"CC Voltage lived in Berlin and played in the vintage hardcore band Dysnea Boys before coming back to Vancouver. In German, an autogramm is an autograph. Goes well with the kind of German new wave vibe of songs such as Peter Pan. It sort of reminds me of After the Fire’s Der Kommissar."
- Stuart Derdeyn, Vancouver Sun, Vancouver
"If you've been hankering after some old school Tubeway army style alt-punk, then get an ear full of this: it’s the Cars driving Numan around listening to some real ‘80s radio before checking out Duncan Reid - it's that catchy."
- Uber Rock, U.K.
"These guys hail from Vancouver and have turned in two synth laced, new wave pop songs that sound like they're straight out of 1979. Like The Cars, Autogramm have a strong pop structure at the root of both songs."
- I Buy Too Many Records, New Jersey
"Is there a new wave of new wave? Let’s hope so, because this new Autogramm single is killer! If your love of new wave is the combination of power pop injected with synths, bands like The Cars, 20/20, The Motors, and the like, then Vancouver’s Autogramm hits a home run here."
- 50 Third and 3rd, Manhattan
"In style and substance they bring to mind The Cars. A lot of people may not like that comparison—hell the band may not even like it—but I do mean it as a high compliment. The chorus is on repeat in my brain and I don’t have a problem with that."
- Razorcake, Los Angeles